Tag Archive for Female Comic Artists

‘Soda Pop Anthology’ Showcases Comics by Puerto Rican Women

Soda Pop Anthology is a collection of comics illustrated and written by Puerto Rican women and published independently by a studio of female comics writers, Soda Pop Comics.

Created as a vehicle to document this growing and vastly under represented community of artists its purpose is to establish greater visibility and acceptance for its female creators. Beyond the world of comics, few volumes published on the island of Puerto Rico share such a noble (and difficult) task. As such, it is important to address the “Soda Pop Anthology” as the beginning.

Soda Pop Comics was founded in 2007 by Rosa Colón and Carla Rodríguez in an effort to push other women to create their own comics. These initial efforts resulted in six collections of work under the stamp of “Anthology,” and gave way to four additional editions that were digitally distributed in 2013. The Soda Pop Anthology, gathers the best material from last year in 152 color pages and includes stories created specifically for this print edition.


“Opus Operática” by Rosaura Rodríguez; “El lemur y el pulpo” by Mónica Parada.

A total of 26 artists have participated in the effort, from beginners to more established and experienced voices, offering a fairly comprehensive and complete panorama of the current comic’s production on the island. Beyond the central concept — Puerto Rican women creating comics — there is no forced narrative nor theme that structures the collection.

Each pair of pages takes the reader down a different path — from Rosaura Rodríguez’s semantic games in watercolor to Mónica Parada’s raw absurdity, from the light and playful spirit that characterizes Soda Pop’s work, to Ivia E. Pantoja’s sci-fi imagination with a Japanese influence. Each are complimented with articles on the history of comics and tutorials.


“Aventuras en el mar” by Soda Pop Comics; “Niveles” by Supakid.

The Soda Pop Anthology is an essential publication for collectors of Puerto Rican comics and the hope is that it results in a greater appreciation of the medium. Those who know Soda Pop Comics’ work know the anthology is a link in a grand chain of initiatives — between exhibits, art classes, festivals, scholarship opportunities, and other social activities — aimed at promoting the production of comics on the island of Puerto Rico. Its importance shines through because of its introduction of new artists — and an invitation to join and participate.

Get your copy for a limited time at Libros AC in Ponce De León Avenue in Santurce or order it online at Soda Pop Comics and Amazon.

Update: Why is gender STILL an issue in Comics?

Last month’s feature Women in Comics – Then & Now attempted to bring new insight to the age old debate on female professionals and characters within the comic book industry and why they do not receive as much fanfare as their male counterparts.

Photo by DC.com all characters © DC Entertainment

Photo by DC.com all characters © DC Entertainment

Reviewing recent industry headlines it would seem the struggle continues with recent public relations debacles on DC Comics’ titles Batwoman and Harley Quinn left many fans wondering – what were they thinking?

While many hold their breath in anticipation of change within the majors others look to the independent market as a beacon of hope.

Ignatz image © Small Press Expo

Ignatz image © Small Press Expo

Small Press Expo’s Ignatz Awards, has celebrated women cartoonists since its inception, this year was no exception as its awards ceremony continued that support by setting a precedent. For the first time, SPX says, all the night’s presenters were women.

This was the idea of special guest and longtime New Yorker cartoonist Liza Donnelly. “I was given the opportunity ahead of time to select the presenters for each award to be given,” says Donnelly, “and I decided to choose all cartoonists who are women. More and more of us are now in the business, unlike previous years, and I wanted to celebrate that fact by bringing attention to it. “Many cartoonists came up to me afterwards — men and women — to thank me for doing that, it was great.”

The presenters included Kate Leth, Ulli Lust, Rutu Modan, Mikhaela Reid, Raina Telgemeier, Carol Tyler and Jen Vaughn. Lust also won an Ignatz for Outstanding Graphic Novel — a category in which all five nominees, including Modan and Tyler, were women.

However, the low numbers within the professional group of females working with major publishers remains stagnant.

Based on solicitations, December looks to be a sizeable step down for women at DC, both in terms of female creators and characters.  With stronger numbers in both October and November it was surprising to see only 9 different female creators on 11 different books in, a drop of 5 and 4 compared to a month ago.

Traditionally, December is a very quiet month for new books all around.  Perhaps there will be some new additions with the coming New Year.

Regardless of where you stand the female voice within the industry remains strong. Erika Statler, 33, waves her geek flag publicly as the president of the Society of Gallifreyan Scholars, a “Doctor Who” club at Purdue University.  “I believe that women are more comfortable with publicly being a part of geek culture and showing it off because (being) smart is nothing to be ashamed of,” Statler said. “I embrace my geek/nerd side every day and I’m not ashamed of it. I shouldn’t have to hide something that makes me happy, so I don’t, and neither should anyone else.”

Additional Resources:

Captain Marvel: DeConnick on Carol Danvers and the comics industry http://lat.ms/19emTlX

“Holy Hot Flash, Batman! http://bit.ly/Rw1wW0

Women in Comics: The Fine Line of Equality – a History

Despite being an integral part of the industry for decades, women writers/artists received little fanfare. Legendary characters such as Torchy Brown, Brenda Starr, and Cathy (all created by women) were overshadowed by their male counterparts.

According to the Journal of Adolescent and Adult Literacy, “Despite gradations of taste, comic books have remained popular to a wide range of people, from adult males in their twenties and thirties who typically make up the superhero comic audience to the growing number of manga readers that include adolescents and most especially women.”

Weary of waiting, women have created their own mark within the industry it remains to be seen if it will evolve to keep up, though it can be certain – the future is now.

Women in Comics: The Fine Line of Equality

<div><iframe src=”//storify.com/AlisandeC/women-in-comics-the-fine-line-of-equality/embed” width=”100%” height=750 frameborder=no allowTransparency=true></iframe><script src=”//storify.com/AlisandeC/women-in-comics-the-fine-line-of-equality.js” type=”text/javascript” language=”javascript”></script><noscript>[<a href=”//storify.com/AlisandeC/women-in-comics-the-fine-line-of-equality” target=”_blank”>View the story “Women in Comics: The Fine Line of Equality” on Storify</a>]</noscript></div>



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